{"id":299,"date":"2017-04-08T00:10:25","date_gmt":"2017-04-08T00:10:25","guid":{"rendered":"https:\/\/joaquinlois.com\/proyectoclarin\/?p=299\/"},"modified":"2022-06-01T19:41:16","modified_gmt":"2022-06-01T19:41:16","slug":"clarin-opus-iii","status":"publish","type":"post","link":"https:\/\/joaquinlois.com\/proyectoclarin\/clarin-opus-iii\/","title":{"rendered":"Clar\u00edn Opus III"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Clar\u00edn Opus III responde al modelo tomado para el Opus I pero con alguna variaci\u00f3n , ajust\u00e1ndose a las caracter\u00edsticas del lugar de destino y las inquietudes musicales de la propiedad.
\nLa madera de cedro en todos los elementos mec\u00e1nicos y ornamentales le dan un car\u00e1cter m\u00e1s parecido a los \u00f3rganos del siglo XVIII que en Castilla quedaron sin policromar y que con el paso de los siglos la madera de pino blanco ha tomado un tono tostado de gran belleza.
\nTambi\u00e9n pensado para climas y condiciones en los que conviene preservar los instrumentos de ataques de xil\u00f3fagos y otros agentes nocivos para la madera. <\/p>\n","protected":false},"author":1,"featured_media":946,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria-en"],"acf":[],"yoast_head":"\nClar\u00edn Opus III - Proyecto Clar\u00edn<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clar\u00edn Opus III - Proyecto Clar\u00edn\" \/>\n<meta property=\"og:description\" content=\"Clar\u00edn Opus III responde al modelo tomado para el Opus I pero con alguna variaci\u00f3n , ajust\u00e1ndose a las caracter\u00edsticas del lugar de destino y las inquietudes musicales de la propiedad. La madera de cedro en todos los elementos mec\u00e1nicos y ornamentales le dan un car\u00e1cter m\u00e1s parecido a los \u00f3rganos del siglo XVIII que en Castilla quedaron sin policromar y que con el paso de los siglos la madera de pino blanco ha tomado un tono tostado de gran belleza. 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