{"id":360,"date":"2018-04-04T17:11:40","date_gmt":"2018-04-04T17:11:40","guid":{"rendered":"https:\/\/www.joaquinlois.com\/organo-catedral-segovia\/?p=360"},"modified":"2024-03-12T09:08:51","modified_gmt":"2024-03-12T09:08:51","slug":"el-organo-expresivo-otorel","status":"publish","type":"post","link":"https:\/\/joaquinlois.com\/organo-catedral-segovia\/el-organo-expresivo-otorel\/","title":{"rendered":"El \u00f3rgano expresivo de Otorel"},"content":{"rendered":"\n
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La reforma de Juan Otorel, de la que tenemos documentaci\u00f3n escrita y tambi\u00e9n se pueden identificar sus pr\u00e1cticas y materiales,  transform\u00f3 la cadereta en un \u201c\u00f3rgano expresivo\u201d con todos los juegos dentro de la caja expresiva y desplaz\u00e1ndola a un nivel superior al \u00f3rgano mayor.<\/p><\/blockquote>\n\n\n\n

En este teclado s\u00f3lo tenemos constancia de la incorporaci\u00f3n de la voz humana. La modificaci\u00f3n m\u00e1s dr\u00e1stica es la mec\u00e1nica.<\/p>\n\n\n\n

Tambi\u00e9n se modificaron las contras, incorporando un pedalier de 25 notas con contras de 26 y de 23 palmos.<\/p>\n\n\n\n

En el \u00f3rgano mayor se integra una Bombarda de 26 palmos aunque de esta intervenci\u00f3n solo se conservan algunos restos. Se realiza por medio de a\u00f1adidos que no afectaron a la estructura original de los secretos y tablones acanalados.<\/p>\n\n\n\n

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Reformas atribuibles a intervenciones posteriores Juan Deleito o Ricardo Delgado<\/h2>\n\n\n\n

Reforma de la cadereta, ya teclado expresivo, incorporando los registros rom\u00e1nticos (gamba y celeste) y descomponiendo el car\u00e1cter del teclado y la l\u00f3gica  distribuci\u00f3n de la tuber\u00eda.<\/p><\/blockquote>\n\n\n\n

Tambi\u00e9n hay posibles reformas en la cadereta anteriores a la reforma de Otorel y que no podemos confirmar su autor\u00eda que podr\u00edan ser de Juli\u00e1n Azuara ya que hoy no est\u00e1n de esta forma y solo hay indicios en las etiquetas: Flauta en la mano derecha, Docena en ambas manos.<\/p>\n\n\n\n

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La reforma de Juan Otorel, de la que tenemos documentaci\u00f3n escrita y tambi\u00e9n se pueden identificar sus pr\u00e1cticas y materiales,  transform\u00f3 la cadereta en un \u201c\u00f3rgano expresivo\u201d con todos los juegos dentro de la caja expresiva y desplaz\u00e1ndola a un nivel superior al \u00f3rgano mayor. En este teclado s\u00f3lo tenemos constancia de la incorporaci\u00f3n de la […]<\/p>\n","protected":false},"author":1,"featured_media":798,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"elemento":[359,361],"lt":[346],"teclados":[347],"class_list":["post-360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria","elemento-secretos-y-tablones","elemento-tuberia","lt-antes-de-la-restauracion","teclados-cadereta"],"acf":[],"yoast_head":"\nEl \u00f3rgano expresivo de Otorel | \u00d3rgano del evangelio-Catedral de Segovia<\/title>\n<meta name=\"description\" content=\"La reforma de Juan Otorel transform\u00f3\u00a0la cadereta en un \u201c\u00f3rgano expresivo\u201d desplaz\u00e1ndola a un nivel superior al \u00f3rgano mayor.\" \/>\n<meta name=\"robots\" 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